Just when I thought I was out…

…they pull me back in.

There I was, writing away (this year – four short stories, a travel book, an article, half a blog, a guest post) in Mexico City, living with my girlfriend, her sister, mother, three dogs, two nephews, lemon tree, lime tree, four chickens, three pigs – and I ran out of money. I could have done like the Mexicans and bought an orange juice squeezer and stood on the side of the road for 15 hours a day, but my five credit cards, tbree loans and mortgage wouldn’t have put up with that.

So back in London I am, in the corporate world, earning proper money, but so far away from my right brain I’ve forgotten what it looks like.

Is this the end?

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Si, se pudo! We win! We win!

Sod’s law I was in Dublin last night for the match. And as they say here, the craic was mighty. I managed to find some Mexicans and a pub that is supporting El Tri for the tournament. Here’s the scene after the game.

Imagine if Ireland had qualified – that would have been Ireland vs Mexico last night. What a shame.

Mexicans lack confidence in themselves. Perhaps they look at how their country is run and feel they could do a lot better. I hope they progress in the tournament and it boosts them, at least for a short while.

At the bottom it says: “If this comes in, we’ll have another party!”

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Nothing hurts like a kick in the head

IT’S ALWAYS rewarding to step outside of your world and into another. I went to a murder trial today in the High Court in Dublin. The defendants, let’s call them Louise and Michael, both 19, were accused of kicking to death a young man called Darren on Christmas Day 2007.

The case was in court 19, in the brand new courthouse nicknamed the Colosseum. Inside, it is a cylinder, with six curving floors of courts. The different groups were clearly visible -

  • accused and victims’ families tattooed, in tracksuits and loud, one had a sticker hanging off the seat of his adidas shineys;
  • plain-clothes police flat nosed and burly;
  • lawyers scurrying about harrassed with the cares of ambition weighing on them;
  • reporters, discreet and businesslike.

Each group was both sly and stupid   – the police had already played their tricks in the police station but were found out under cross examination; the witnesses lied through their teeth, displayed selective memory and couldn’t read nor write; the lawyers were clinical in demolishing witnesses the way a grandmaster destroys a novice but then forgot the accused’s name; the judge confessed he didn’t know a crucial point of law so had to have it explained to him. And in the gallery, the families watched, by turns emotional, shaking their heads, and then baffled.

One witness for the prosecution claimed he was sober at the time of the attack. The defence was having none of it:

Defence counsel: So you were sober?
Witness: I was.
DC: But you’d been drinking?
W: I had.
DC: What had you been drinking?
W: Budweiser.
DC: How much?
W: A few cans.
DC: How many?
W: 9.
DC: And would those be the 500ml ones?
W: They would.
DC Alright. So, you’d had about 8 pints of beer then?
W: Yes.
DC: And anything else?
W: Drugs.
DC: What drugs?
W: Es.
DC: How many?
W: 3 or 4.
DC. I see. So 8 pints and 3 or 4 ecstacy tablets. And you want us to believe you were sober?

The police were the slyest. They had their tricks. Michael was arrested when he was 17, so his father had to be present at the interview. The cops placed the father’s chair behind Michael so he was at a remove from the table and so didn’t take part. When Louise said she wanted a lawyer they rang one, got his voicemail but continued the interview anyway. They let her go, and then re-arrested her with insufficient evidence, hoodwinking a judge. Each one of them was inept in the box – like naughty schoolchildren caught sneaking exam results. They had their technique – never look at the defence lawyer – that would only put them off. Address only the judge “M’lord” at all times, and obfuscate, evade and parry – their answers were out of the politician’s textbook.

The saddest bit was when Michael’s gangly father was called to testify. He wasn’t even bothered putting on a suit. He wore an old diamond jumper and jeans, his smooth pate glinted off the strip lights and he twitched and scratched his head, more with every lie. When he admitted he couldn’t read nor write, Michael’s head dropped in the dock, the first time it had, at the shame, the embarrassment at the father he had.

These are people at the bottom of the pile. Louise has an IQ of 58. Michael can’t read or write. He is, as they put it, at a “low educational standard”. But Louise was accused of jumping repeatedly on the man’s cheat, kicking him in the head, smashing a vodka bottle and an ash tray on him. Michael had been arrested before for assault, and had spent 10 months inside.

Did they do it? Of course. But if the defence keeps picking away at the police’s shoddy handling of the investigation, they could walk. Are the cops really that dumb? Or do they pull this shit all the time and mostly get away with it?

The trial continues.

curving

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Drawing on the Right Side of the Brain: Exercise 4

Part 4 in the exercises designed to open up the creativity that is trapped inside us by the bullies of our left brains that involve themselves in right-brain tasks they shouldn’t be meddling in eg drawing, creative writing, photography, playing music. (Taken from Drawing on the Right Side of the Brain).

Task:

1 Find a quiet space where you won’t be interrupted.
2 Copy Picasso’s line drawing of Stravinsky but upside down.
3 Devote an hour or so to it

The idea is that the left brain looks at the upside down drawing and can’t make out the shapes so goes off and does something else, leaving the right brain free to work.

The result is amazing:

Picasso’s effort. Not bad.
My copy of Picasso’s.

He’s got more of a chicken neck than Picasso’s and he’s broader but there is no comparison with what I did in Exercise 1.

Next exercise: exorcising the drawing demons of our childhood.

The other exercises so far:
Exercise 1
Exercise 2
Exercise 3

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Lessons from the barrio – how to choose a leader

Things are done differently in Tepito:

When we see that a leader is doing poorly, we start to talk among ourselves until a new one emerges. The old leader is the last to find out what has happened, when two or three months later he realizes that no one pays any attention to him any more.

Source: http://www.context.org/ICLIB/IC30/Esteva.htm

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Drawing on the right side of the brain: Exercise 3

This is part 3 in the exercises designed to open up the creativity that is trapped inside us by the bullies of our left brains that involve themselves in tasks they shouldn’t be meddling in eg drawing, creative writing, photography, playing music. (They are taken from Drawing on the Right Side of the Brain)

The idea is to switch off the left brain from creative tasks, so it can go back in its box and leave the creative half, the right side, to do its work.

Exercise 3

You are famililar with the  vase/faces picture.

Is it a vase or two faces?

Right.

  1. Now draw the left side, so a profile facing to the right. Getting it exact isn’t important, it’s just about getting it vaguely recognisable.
  2. Next, trace over the features, and say the names of the features – the forehead, the nose, the lips, the chin – as you go.
  3. Then draw a line across the top and the bottom to make the top and bottom of the vase.
  4. Now draw the right side, the profile facing left.

You’ll probably notice that it’s much, much harder. You get confused, you look at it and wonder how you draw it because the features aren’t recognisable. This is the left brain getting confused.

So, instead of drawing a forehead, you draw a curved line sloping downwards, you look at how much space there is between the lines. This is a right-brain function.

You may notice your brain starting to hurt – mine did! This is the right brain kicking into action using parts that it’s never used before. I’m sure it also means new neuronal pathways are being created (for more on this read The Brain that Changes Itself – a really incredible book.

  1. Now draw another right-facing profile, but make its features really odd and grotesque – bulbous nose, warts, moles, odd-shaped forehead – the weirder and uglier the better.
  2. Trace over the features saying their names
  3. Draw the lines above and below
  4. Draw the right side.

This is a baroque vase.

This is my effort

I have a real problem with lips for some reason.

When you see how sh*te that is, and how ugly and how devoid of any art or flair, Exercise 4 tomorrow will blow your mind. It did mine.

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Video of ambulance chasers in DF – la nota roja

I always wondered how la nota roja got those gruesome photos of people who’ve just been killed. Now I know – they chase ambulances. This video, 48 minutes long, tells the story.

The photographers start work at 9.30pm at the Monument to the Revolution. They sit there smoking cigarettes, bantering, talking about the day shift’s work and listening to the police radio. When they hear a request for an ambulance, they jump in their Beetles and race to the scene to ideally arrive before the scene is taped off.

They don’t want us taking photos. They don’t want us to know the city is a mess. But if we don’t, we become accomplices of the authorities.

It’s quite exciting as they follow an ambulance “He’s got a bullet in his heart. He might die on the way” and the photographer arrives and takes photos of the man being taken from the ambulance – but he doesn’t care if he gets in their way.  Then they find out he was having it off with a married woman, the husband came home, found them at it, and shot the guy in the heart. That’s why he was naked. The photographers joke afterwards:

You have to be careful.

The best I saw were in Guatemala City. They had at least one drug murder a day and would recreate in detail how it happened with cartoons in numbered sequence and arrows. But they always included a picture of the loved one at the scene arriving in horror – intrusive, horrible but you had to look.

  1. Victim pulls up at traffic lights in SUV
  2. Assassins pull up on motorbike beside car
  3. Assassin on pillion shoots into driver’s window eight times
  4. Victims lie dead
  5. Victims’ mother / girlfriend / arrives to bloody scene bursts into tears, has to be restrained

Still, the fact that this video was made at all, shows how commonplace the idea of crime in a big city is – that a report about reporters making reports is interesting, rather than the murders themselves.

http://www.vbs.tv/newsroom/alarma-full-length-director-s-cut–2

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